Monday, August 30, 2021

THE FISHERMAN by John Langan

I was really looking forward to this because so many of my Goodreads friends that I respect greatly raved in their glowing reviews about this book. And while the first half of the book was great, I found my attention truly drifting more and more as it went on. I loved most of the character work done in the beginning to introduce us to widowers Abe and Dan, and even the first part of the creepy tale-within-a-tale that becomes the centerpiece of the book does a decent job at invoking unease, but the second half of the novel started to drift for me. In my opinion, cosmic horror is one of the most difficult genres to pull off effectively and I really get excited when it's done well. But sometimes the horror and the threat becomes so vague, subdued, and indefinable that it sort of disappears and loses all urgency. I feel like that's what happened here. 

GRADE: C-


Sunday, August 1, 2021

KIN by Kealan Patrick Burke

We all have seen those horror movies. The ones where a crazy hillbilly family in the middle of nowhere terrorize and torture visitors until one or two of them manage to escape? This book focuses on the aftermath, on the survivor: that “final girl,” and others affected in different ways by the trauma. It also focuses on the relatives of the deceased (including a former soldier with PTSD) and the young kid that helps to bring the girl to safety. It also looks at the killers themselves: a family of cannibals that are all the more scary because they feel like they’re doing God’s work. 

The book is a violent and compelling examination of retribution, vengeance, and survivor's guilt. It questions whether there's even a possibility of "moving on" for all those involved and whether or not more violence is really the answer to that question. I could tell that Kealan Patrick Burke got a lot more polished as a writer since this earlier novel because there are many times in the book where the prose felt pretty long-winded and overwritten; not as efficient as his later work. But this work is pretty brave, going places that I never thought the story would go without ever feeling forced.

GRADE: B