THE BEAUTIFUL THING THAT AWAITS US ALL: STORIES by Laird Barron

Equal parts frustrating and riveting, Laird Barron's weird and creepy short fiction is like no other. Barron has a fervent cult following and I have been interested in jumping into one of his collections for a while now and decided to make this book my first. From page one, Barron’s prose grabbed me and held me close. But instead of whispering sweet nothings, the book growled at me with stories of hopeless protagonists, nameless horrors, ancient gods, cults, and black magic.

On one hand, Barron consistently takes forever with the set-up of each story. setting the stage and mood with trademark over-flourish that constantly tempted me to quit. On the other hand, each story left me thinking about it long after, and I wonder if the slow opening pace provided a hypnotic lull and creeping build that was necessary for that eerie feeling that stuck with me after every story. 

Each story left me an impression on me, but the standouts were the sad and chilling "The Redfield Girls," "The Men From Porlock," the gangster-meets-cosmic horror story in "Hand of God," and the batshit stream of consciousness in "Vastation." 

Although I can't deny the stories being a bit of a chore to get through, I also can't deny Barron's writing power and I'm looking forward to exploring more. 

I was accustomed to liars, bold-faced or wide-eyed, silver-tongued or pleading, often with the barrel of my gun directed at them as they babbled their last prayers to an indifferent god, squirted their last tears into the indifferent earth. A man will utter any falsehood, commit any debasement, sell his own children down the river, to avoid that final sweet goodnight.

GRADE: B-

Equal parts frustrating and riveting, Laird Barron's weird and creepy short fiction is like no other. Barron has a fervent cult following and I have been interested in jumping into one of his collections for a while now and decided to make this book my first. From page one, Barron’s prose grabbed me and held me close. But instead of whispering sweet nothings, the book growled at me with stories of hopeless protagonists, nameless horrors, ancient gods, cults, and black magic.

On one hand, Barron consistently takes forever with the set-up of each story. setting the stage and mood with trademark over-flourish that constantly tempted me to quit. On the other hand, each story left me thinking about it long after, and I wonder if the slow opening pace provided a hypnotic lull and creeping build that was necessary for that eerie feeling that stuck with me after every story. 

Each story left me an impression on me, but the standouts were the sad and chilling <b>"The Redfield Girls," "The Men From Porlock,"</b> the gangster-meets-cosmic horror story in <b>"Hand of God,"</b> and the batshit stream of consciousness in <b>"Vastation."</b> 

Although I can't deny the stories being a bit of a chore to get through, I also can't deny Barron's writing power and I'm looking forward to exploring more. <blockquote><b><I>I was accustomed to liars, bold-faced or wide-eyed, silver-tongued or pleading, often with the barrel of my gun directed at them as they babbled their last prayers to an indifferent god, squirted their last tears into the indifferent earth. A man will utter any falsehood, commit any debasement, sell his own children down the river, to avoid that final sweet goodnight.</I></b></blockquote>

BORN TO BLEED by Ryan C. Thomas

The Summer I Died was one of the hardest books to read due to the extreme graphic violence but was still wholly satisfying as a story. So I wanted to read its sequel but had to take a deep breath before jumping into this one. 

But nope, I still wasn’t prepared…

Roger Huntington, who barely survived that first book is trying to manage his trauma and has attempted to move on, relocating to Los Angeles and working as a painter of serene woods scenes. But that doesn’t last long, as trouble catches up with him again. 

The violence and depravity is just as hard-hitting in this book and the author still manages to deftly touch on the long-term affects of trauma and how it changes Roger in ways that he never expected, where he’s constantly questioning what kind of person he might be becoming. 

GRADE: B+

FEAR ME by Tim Curran

As if the idea of being stuck inside a maximum security prison wasn’t terrifying enough, imagine if a bloodthirsty monster was locked up in there with you. 

In this novella, a prisoner at Shaddock Valley Penitentiary seems to be a meek victim for the more hardened cons, but hides a secret that will lead to more than just a prison yard shanking. Author Tim Curran does a great job of setting up the oppressive atmosphere in the prison, a hopeless place that brings out the worst in people and the darker side of humanity. But then, when prisoners begin dying in the night, the tension gets ratcheted up like crazy. The way that Curran describes what happens after lights out is pretty chilling. And even though it did get a bit repetitive at times, I appreciated how damn creepy it was. 

GRADE: B+

GOTHIC by Philip Fracassi

It's been amazing to witness the rise of Fracassi's career as he has steadily planted his flag among the crowd in the literary horror genre. I've been reading his work since I discovered his short stories and novellas early on and he has quickly become a priority author for me. He's recently been on a roll with his novel releases and this one does not disappoint!

The setup is simple, introducing Tyson Park, a washed-up horror novelist with writer's block, who is gifted a new desk that ends up being a bit more than just new furniture. Turns out that the desk is made of material from an ancient occult altar and Tyson begins to succumb to its influence. It's pretty unnerving to witness Tyson's gradual corruption, rotating between seeing it from his POV and the view of others around him. I felt dirty being in his head with his thoughts as they became more and more disturbing until I realized that the person that I was reading about is not the same person I was introduced to earlier. 

There are effective horror sequences in this book as well, right up there with the best of the best. So if you're looking for engaging classic King-style horror storytelling, by an author flexing his powers, check out this great novel.

GRADE: B+

JUDAS GOAT by Greg Gifune

I really need to stop waiting so long between Gifune books! His work scratches a horror itch for me that most writers fail to hit. The books dive to emotional depths that others never dare to, while still providing the terror and thrills. 

This novella feels like an eerie dream from the very first paragraph and it never once lets up on the atmosphere, especially as our main character Lenny gets to the small town where his ex-girlfriend has died and mysteriously left him her house. As he struggles to understand what happened to Sheena, we the reader discover a tragic story of love squandered and two people filled with pain and regret. I almost always leave a Gifune book satisfied and impressed and this is another great one. 

GRADE: A-

EXTANT by Michael McBride

I made a two-week trip to Egypt early this year and explored up and down the Nile, growing more and more fascinated with Egyptology and the rich history. And I'm usually pretty engaged with Michael McBride's work, which reads like less wordy Michael Crichton books. I also was looking for something quick and easy to read while I'm in the middle of a big job, so when I discovered this novella, it ticked all the boxes. But, like eating a bag of chips in the middle of the desert, it was a bit of a waste and left me wanting something more satisfying.

An expedition team in the Siwa Oasis searches for the final resting place of the army of Cambyses II that vanished thousands of years ago. When they discover mysterious underground ruins, they also discover that they're being stalked by deadly creatures that have survived millennia. 

I was left pretty dry with this one. It felt like the most generic parts of every creature-feature I've read all thrown into 90 pages. It's nowhere near as entertaining or scary as books like Sunblind or Snowblind. There's nothing actively bad about this book, it's simply just not that memorable and terribly bland. That's it. There's not much else to say.

GRADE: C-

HASTY FOR THE DARK: STORIES by Adam Nevill

There are dedicated, vocal fans of Adam Nevill among horror readers, with praise that I’ve been hearing for a while. His work has always looked interesting to me, so when I felt like reading another short story collection, I jumped into this one as my introduction to Nevill’s work. 

Each story in this collection has an elusive quality, a creeping, disorienting feeling that really lends to the horror. Each stands out in how little they spoon-feed the reader, challenging our ideas of horror and story form. One of the standout stories here, “Hippocampus,” reads like a found-footage movie in prose form, with no dialogue or characters, just pure mood and discovery as we explore an ship of death adrift in a storm. And most of the stories take everyday circumstances of discomfort and take them to the extreme, pulling pure horror out of the day-to-day, like a horrible subway commute in “On All London Underground Lines,” abusive relationships in “The Days of Our Lives,” or aging and Alzheimer’s in “Little Black Lamb.”

Not everything here is great, as some of the stories are just plain boring, but it’s a solid collection and if you’re looking for challenging stories that aren’t your usual fare, give this one a look. 

GRADE: B

MAN WITH NO NAME by Laird Barron

During this entire novella, Barron had me entranced by his writing. His prose is equal parts efficient and deliriously lyrical in this strange crime story about an enforcer for the Heron clan of the Yakuza and his colleagues as they kidnap an ex-celebrity wrestler during a gang war. From the start, I got a sense that this story was not going to be your run-of-the-mill crime thriller, as the author infuses the tale with a sense of existential dread that just gets worse and worse as it goes on. And once the climax hits, it becomes something way more creepy than I ever expected. 

The first thing I attempted to read by Laird Barron was the story collection, Swift to Chase, which I was disappointed by but which I now understand was more advanced, grad school-level Barron, especially with the fact that Barron’s books reference each other. Well I’m still in Barron high school so this short book was my next choice, and although I still might not understand all of its mysteries, I enjoyed it much more. And there’s even a bonus story that was just as impressive, “Blood and Stardust,” which played like a really twisted Frankenstein. I’m excited to read more Laird Barron soon.

GRADE: B+

THE SUMMER I DIED by Ryan C. Thomas

Recently I read a novella that was labeled as “extreme horror” on the cover, and I went into it bracing myself to read something uncomfortable and unbearable. That book was a bit of a letdown but its graphic content also didn’t really affect me much. I went into The Summer I Died aware of the great reviews and that it also had graphic content. But holy shit, I didn’t expect what I experienced here. It caught me with my guard down, maybe because it wasn’t billed as “extreme horror” like the other book, which was a children’s Sunday cartoon compared to The Summer I Died.

The book takes a second to spend time with the two protagonists and build their characters and their relationships and this probably lulled me into a sense of comfort. But when the story takes a turn for the worse and the two friends investigate the screaming of a woman in the woods, I was horrified by its brutal violence and left reeling by its suspenseful tension. At first, I thought I would be tempted to call it torture porn but it’s so damn well-done that it’s hard to deny the artistry here. The countless close calls, the rolling of the dice, the unseen actions in another room left to the imagination, and the missed escape opportunities built the suspense to such a fever pitch that there were times I had to take a breath after reading a passage. 

I’m still thinking about this book and it will probably be on my mind long after. That’s all a reader can ask for.

GRADE: A

SORCERER by Greg F. Gifune

I feel like I’ve read enough to know that Greg Gifune is a master of horror in any form, so obviously I went into this novella with high expectations and the book did not disappoint! 

After losing his job, a salesman named Jeff is desperate to find work to keep him and his wife Eden afloat. And then a beautiful stranger offers him the job of a lifetime. I don’t want to say more because the book doesn’t fully reveal itself until its climax and until then it’s tense and mysterious as the walls begin to close in around Jeff, and it gets more and more disturbing as Jeff slowly discovers what’s going on right up until its great ending. 

And if you thought that that weird Iron Maiden song couldn’t get any creepier, wait until you see Gifune get a hold of it. Another winner by a horror expert. 

GRADE: A-

WOOM by Duncan Ralston

You won’t like this book. 

It’s extreme horror for mature readers and is structured as a series of interconnected tales about a cursed room at the sleazy Lonely Motel, and all the fucked up shit that goes on there. If graphic violence, sexual content, or my cursing in this review is a turn-off for you, then stay away from this one. 

Now I don’t quite know what it says about me, but I didn’t find the content that hard to read. I mean, of course the situations are all terrible, but it ultimately wasn’t as difficult to stomach as I expected. IT might be because the writing isn't as compelling as it should be, but all the graphic sexual violence didn't have the same emotional punch as it aspires to have. And worse, story-wise, it wasn’t as effective and engaging as it should be. 

I did like the way that all the stories finally connected, but it just wasn’t enough to sustain itself. Even with its short page count, I felt like it was too long. If you’re looking for extreme horror, it’s okay. If you’re looking for a compelling story, you probably will be a bit let down. Others will just be repulsed by the graphic effort. So yep, if I was a betting man, I would guess:

You won’t like this book. 

GRADE: C-

THE FISHERMAN by John Langan

I was really looking forward to this because so many of my Goodreads friends that I respect greatly raved in their glowing reviews about this book. And while the first half of the book was great, I found my attention truly drifting more and more as it went on. I loved most of the character work done in the beginning to introduce us to widowers Abe and Dan, and even the first part of the creepy tale-within-a-tale that becomes the centerpiece of the book does a decent job at invoking unease, but the second half of the novel started to drift for me. In my opinion, cosmic horror is one of the most difficult genres to pull off effectively and I really get excited when it's done well. But sometimes the horror and the threat becomes so vague, subdued, and indefinable that it sort of disappears and loses all urgency. I feel like that's what happened here. 

GRADE: C-

KIN by Kealan Patrick Burke

We all have seen those horror movies. The ones where a crazy hillbilly family in the middle of nowhere terrorize and torture visitors until one or two of them manage to escape? This book focuses on the aftermath, on the survivor: that “final girl,” and others affected in different ways by the trauma. It also focuses on the relatives of the deceased (including a former soldier with PTSD) and the young kid that helps to bring the girl to safety. It also looks at the killers themselves: a family of cannibals that are all the more scary because they feel like they’re doing God’s work. 

The book is a violent and compelling examination of retribution, vengeance, and survivor's guilt. It questions whether there's even a possibility of "moving on" for all those involved and whether or not more violence is really the answer to that question. I could tell that Kealan Patrick Burke got a lot more polished as a writer since this earlier novel because there are many times in the book where the prose felt pretty long-winded and overwritten; not as efficient as his later work. But this work is pretty brave, going places that I never thought the story would go without ever feeling forced.

GRADE: B

BENEATH A PALE SKY by Philip Fracassi

Just like with the previous collection, Behold the Void, Philip Fracassi gives us a curious collection of horror stories that find a great balance between the cerebral and the emotional, where even if you don’t fully grasp the totality of what transpired, the evocative feeling that the stories give you will be wholly satisfying. 

The book is a collection that combines some of his latest short stories and novellas, ones that were both published previously and ones that were written for this book. Fracassi is great at detailing horrific but believable disastrous events and taking them to places that hint that they go beyond everyday tragedies and into the realm of the supernatural. This is on full display in many of these stories, such as with the horrifying Ferris Wheel tragedy in “The Wheel,” the deadly tornado in “Harvest,” or the earthquake in my favorite story in the collection: the novella Fragile Dreams (which I read previously as a stand-alone and reviewed it here). Each of these stories takes everyday horror and transform them into something much more cosmic and extraordinary. 

Along with Fragile Dreams, my other favorite stories are “Death, My Old Friend,” a stunning story that I also read previously and I still think is the best of Fracassi’s shorter tales, and “ID,” a sly, playful, and unreliable look at a friendship born in a mental hospital that will make you question your own sanity. 

This author is always consistent with his engaging stories and I’m really looking forward to reading his upcoming debut novel later this year!

Thanks to the publisher for the Advanced Reader’s Copy. 

GRADE: B+

WOLF HUNT 3 by Jeff Strand

In Jeff Strand's novels, especially the Wolf Hunt series, I've learned to expect anything. Anything can happen. So when Lou is brought back to life by some evil alchemy, I didn't bat an eye, I just rejoiced in the fact that I could have more George and Lou banter for another 200 pages. And like Ripley in the Alien movies, wherever George and Lou go, the werewolves follow. The adventure this time brings together all of the supporting characters from the previous books planning an assassination in an effort to prevent a human/werewolf war. 

If you're familiar with Strand's books, you know what the deal is. If you're new, get ready for some intense  lycanthrope action, hillbilly psychos, deformed killer babies, and seriously demented humor.

GRADE: B+ 

GREENER PASTURES by Michael Wehunt

“You ready to go into the mouth? It goes far and maybe all the way to forever.”

I wanted to read a collection of good horror stories during the Halloween season and while this wet my palette, I was also treated to some of the best writing that I’ve seen during my reading this year! While each story in here is undoubtedly horror, there’s a poetic, romantic tone to the prose, giving the stories a texture and a weight that I haven’t seen in a while in the genre. 

While the stories do vary based on subject, there are common themes throughout, themes like transformation, as in the best stories in the collection:  

“Deducted From Your Share of Paradise,” about a town’s obsession with a group of fallen angels, with this opening line:

The women fell from the sky, silhouetted as dying eagles against the sunset. They struck the huddled trailers of Twin Firs and buckled thin ceilings, the sound of their impacts like God drumming His fingers on the earth. 

and “A Discreet Music,” about a widower’s journey toward something beyond grief. 

Another running theme is the burden of loss, as seen in the devastating breakup in “The Inconsolable” or the breakdown of a marriage in “Dancers.”  Other stories veer into pure cosmic horror territory that sneaks under your skin but they all have the same urgent lyricism that I’m excited to see in more of Wehunt’s work. 

GRADE: A-

MY PRETTIES by Jeff Strand

I thought I knew what I was getting into when I cracked open My Pretties, but holy shit was I wrong. I expected a straight-forward serial killer thriller-diller, and while the book is that on a basic level, it is constantly surprising. It’s about two waitresses orbiting a depraved serial killer who gets his kicks off observing brunettes starving to death in cages. But the story took me in directions that I have never expected. I don’t want to go into details and spoil the discoveries so this review won’t be that long. But you should read it and see how deep the depths of depravity goes! I should have known that this book would be something else entirely because of the endlessly exciting author behind it, who’s anything but generic. 

GRADE: B

THE HOUSE ON ABIGAIL LANE by Kealan Patrick Burke

There is something terribly wrong at 56 Abigail Lane.

The seemingly unremarkable house is now infamous due to a large number of unexplainable events that have occurred there and this novella details its mysterious history; yet another attempt to unlock its secrets. Much of this book's effect comes from its cold, academic tone, as if we were reading an impersonal thesis paper researching the subject and its 60-year history. It adds to the creepy factor because it presents these hair-raising events without emotion and it feels almost like watching a documentary.

I was home, in the dark, but not alone. The living room was a conspiracy of shadows and among them I could hear a man speaking backwards in a low voice.

I love how subtle much of the horror feels. Instead of floating ghosts or monsters chasing characters down the stairs, we get small occurrences, like mysterious disappearances, weird sounds, and creepy figures staring out of windows. It's enough to definitely raise some goosebumps. It's also impressive the way that Burke weaves American history in with the house's legacy, and the horror moves right along with it, giving us different lenses through which to study the house in each era, from the 1960's to present day. 

Another home run by a consistent author and a great way to kick off Halloween season!

We stepped over the threshold of an ordinary house in an ordinary neighborhood and over the threshold of modern knowledge. It is not a place steeped in old evil. It's a calamity of physics. There's a fissure, a gaping cosmic wound, a door to places we can't begin to fathom.

GRADE: B+

AN APOCALYPSE OF OUR OWN by Jeff Strand

Two life-long friends hide out in a tiny survival bunker after the world gets taken over by mutant zombies. There's blood, madness, and lots of guts and body parts. But there's also casual sex, cans of beans, and it's also funny as hell. Not only must our heroes struggle with now being friends with benefits, but also with how the hell to survive this. 

This is a story that could only come from the mind of Jeff Strand and is suitably entertaining. But it doesn't balance the tone as well as his more successful books and leans a little too much on the jokey side of things, where it lost some of its urgency. But it's still a laugh-out-loud read that will be a good way to spend an afternoon!

GRADE: B-

WE NEED TO DO SOMETHING by Max Booth III

When I was kid, I went through Hurricane Marilyn in the Virgin Islands and when it got really bad in the night, I hunkered down with my parents, grandparents, and sister in my grandparents’ guest bathroom as the hurricane raged outside. It was one of the scariest times in my life. This truly unsettling novella brought back many of those memories, as it takes place completely in a bathroom after a Texas family finds refuge there when a major storm comes through their town.

The story starts off tame enough, with a little tension between the family and discomfort with the conditions. But soon, things get more surreal and more terrifying. As the time in the bathroom crawls on, Booth’s writing provides a palpable unease where I wasn’t sure what was real and what wasn’t. I don’t want to get into too many details as it’s best to go in blind so that the events in here have maximum impact, but I read most of this with a real sense of dread as I began to feel the claustrophobia, smell the odors, and, once things started to go truly bonkers, I began to read all of it with bulging eyes. 

Did any of this really happen in the story? Some of it might have. Some of it might not. Based on how horrifying this was, I would hope it was all just a bad nightmare for the main character. But deep down, I feel like I know the truth.

it’s going to be okay it’s going to be okay it’s going to be okay it’s going to be okay it’s going to be okay it’s going to be okay

GRADE: A-