THE BEAUTIFUL THING THAT AWAITS US ALL: STORIES by Laird Barron

Equal parts frustrating and riveting, Laird Barron's weird and creepy short fiction is like no other. Barron has a fervent cult following and I have been interested in jumping into one of his collections for a while now and decided to make this book my first. From page one, Barron’s prose grabbed me and held me close. But instead of whispering sweet nothings, the book growled at me with stories of hopeless protagonists, nameless horrors, ancient gods, cults, and black magic.

On one hand, Barron consistently takes forever with the set-up of each story. setting the stage and mood with trademark over-flourish that constantly tempted me to quit. On the other hand, each story left me thinking about it long after, and I wonder if the slow opening pace provided a hypnotic lull and creeping build that was necessary for that eerie feeling that stuck with me after every story. 

Each story left me an impression on me, but the standouts were the sad and chilling "The Redfield Girls," "The Men From Porlock," the gangster-meets-cosmic horror story in "Hand of God," and the batshit stream of consciousness in "Vastation." 

Although I can't deny the stories being a bit of a chore to get through, I also can't deny Barron's writing power and I'm looking forward to exploring more. 

I was accustomed to liars, bold-faced or wide-eyed, silver-tongued or pleading, often with the barrel of my gun directed at them as they babbled their last prayers to an indifferent god, squirted their last tears into the indifferent earth. A man will utter any falsehood, commit any debasement, sell his own children down the river, to avoid that final sweet goodnight.

GRADE: B-

Equal parts frustrating and riveting, Laird Barron's weird and creepy short fiction is like no other. Barron has a fervent cult following and I have been interested in jumping into one of his collections for a while now and decided to make this book my first. From page one, Barron’s prose grabbed me and held me close. But instead of whispering sweet nothings, the book growled at me with stories of hopeless protagonists, nameless horrors, ancient gods, cults, and black magic.

On one hand, Barron consistently takes forever with the set-up of each story. setting the stage and mood with trademark over-flourish that constantly tempted me to quit. On the other hand, each story left me thinking about it long after, and I wonder if the slow opening pace provided a hypnotic lull and creeping build that was necessary for that eerie feeling that stuck with me after every story. 

Each story left me an impression on me, but the standouts were the sad and chilling <b>"The Redfield Girls," "The Men From Porlock,"</b> the gangster-meets-cosmic horror story in <b>"Hand of God,"</b> and the batshit stream of consciousness in <b>"Vastation."</b> 

Although I can't deny the stories being a bit of a chore to get through, I also can't deny Barron's writing power and I'm looking forward to exploring more. <blockquote><b><I>I was accustomed to liars, bold-faced or wide-eyed, silver-tongued or pleading, often with the barrel of my gun directed at them as they babbled their last prayers to an indifferent god, squirted their last tears into the indifferent earth. A man will utter any falsehood, commit any debasement, sell his own children down the river, to avoid that final sweet goodnight.</I></b></blockquote>

STAR WARS: INTO THE DARK by Claudia Gray

This is the second High Republic novel that I’ve read and it’s the official young adult book in the first wave in Phase 1 of the publishing initiative. It takes place concurrently with the previous adult novel Light of the Jedi but follows a much more focused story about a young Jedi padawan and his companions who get stuck at an abandoned space station following the Great Hyperspace disaster. 

While I enjoyed Light of the Jedi, I was frustrated with the fairly bland characters aside from the villains and how diluted everything was due to the plot casting such a wide net. Those problems are not here, with the plot being much more concentrated and intimate, and characters that jumped off the page. Each character had more nuance than the previous book, especially the Jedi, who seem more like real people with true struggles to go along with their stalwart, noble attributes. 

But I’m still giving it three stars because the action here is nowhere near as cool as I was hoping, the villains were pretty half-baked, and there’s a recurring flashback that seems to be promising major character development and reveals but turns out to be fully unnecessary. 

GRADE: B-

STAR WARS: LIGHT OF THE JEDI by Charles Soul

I’ve always been a big Star Wars fan but it has been a while since I have read any books in the universe. I was an avid Star Wars book reader as a kid but fell off on that hobby. I’ve been impressed and fascinated with Disney’s new in-canon publishing initiative called the High Republic that tackles interconnecting stories from a previously unexplored era in Star Wars history along a wide variety of mediums including adult novels, young adult novels, audio dramas, comic books, and upcoming live action television. So I though what better way to jump back into Star Wars reading than this!

Light of the Jedi is the first novel that introduces the High Republic, set over 200 years before the events of the first film, A New Hope, when the Republic and the Jedi Order were at their grandest, and starting to fully expand into the Outer Rim of the Galaxy. It opens on the cusp of the unveiling of the new Outer Rim outreach space station Starlight Beacon when a massive hyperspace disaster threatens to destroy multiple solar systems. 

As expected, the book is crazy readable and sucks you in to this new world, introducing you to the new Jedi characters as well as the Nihil, the new big bads of the High Republic initiative. The book suffers a little from tackling a bit too much, which is of course due to having the responsibility of introducing so many ideas and characters. I wish that the book had a bit more focus and I hope that the later books don’t suffer the same introductory burden. The other issue is that the characters (particularly the Jedi) aren’t very interesting so far, with everyone feeling pretty stoic and untouched in regards to relatable nuance and emotional complexity. Every Jedi seems to be a stalwart knight without problems beyond the cliché (like Padawans not being sure of themselves) and they’re just not that interesting. Except for maybe Elzar Mann, who shows a little more potential for being actually singular and complex.

But the creative ideas here are really compelling and build onto the already vast Star Wars mythos in fascinating ways, especially with the exploration of the way hyperspace works. Also the audiobook version is one of the coolest books I’ve listened to, with sound effects and score that really suck you in! But the character of Marchion Ro is what really saves the book, presenting a mysterious antagonist that is riveting, becomes a real threat, and seems to have layers that I can’t wait to see peeled away. 

So this is a decent start to this initiative and at the very least, I’m excited to explore more!

GRADE: B

BORN TO BLEED by Ryan C. Thomas

The Summer I Died was one of the hardest books to read due to the extreme graphic violence but was still wholly satisfying as a story. So I wanted to read its sequel but had to take a deep breath before jumping into this one. 

But nope, I still wasn’t prepared…

Roger Huntington, who barely survived that first book is trying to manage his trauma and has attempted to move on, relocating to Los Angeles and working as a painter of serene woods scenes. But that doesn’t last long, as trouble catches up with him again. 

The violence and depravity is just as hard-hitting in this book and the author still manages to deftly touch on the long-term affects of trauma and how it changes Roger in ways that he never expected, where he’s constantly questioning what kind of person he might be becoming. 

GRADE: B+

A TOUCH OF DEATH by Charles Williams

This is another banger by Charles Williams, where a broke ex-football player gets sucked into a robbery plot by a scheming brunette in a bikini. 

…looking like something the censors cut out of a sailor’s dream.

It really stands out because not only was it constantly surprising but it features one of the coolest femme fatales in the genre, a master manipulator that never once used sex to seduce our lead sucker, because she simply doesn’t need it, she’s that good. Seriously, I constantly kept waiting for the clothes to come off but was always surprised. In fact, the moment that the two meet, they hate each other, and the hate only grows hotter as the story moves forward. 

You’re a business proposition to me, a hundred and twenty thousand dollars’ worth of meat to be delivered on the hoof.

The other thing that grows is the tension, which is the real star of the show here. The moment the plot gets going, the suspense never lets up, and I was right there in the protagonist’s shoes, not sure how much more I could take, and nearly yearning for the police to just catch them already or for the double-crosses to happen, if only to allow me to breathe for a bit. And when the ending comes, it’s not like I didn’t see it coming, but I didn’t expect it to be as satisfying. While this one isn’t as much of a slam-dunk classic as Hell Hath No Fury (The Hot Spot), it’s still a fantastic noir by Charles Williams. 

There were no days now. Time had melted and run together into one endless and unmarked second of waiting for an explosion when the fuse was always burning and forever a quarter of an inch long. 

GRADE: A-

FEAR ME by Tim Curran

As if the idea of being stuck inside a maximum security prison wasn’t terrifying enough, imagine if a bloodthirsty monster was locked up in there with you. 

In this novella, a prisoner at Shaddock Valley Penitentiary seems to be a meek victim for the more hardened cons, but hides a secret that will lead to more than just a prison yard shanking. Author Tim Curran does a great job of setting up the oppressive atmosphere in the prison, a hopeless place that brings out the worst in people and the darker side of humanity. But then, when prisoners begin dying in the night, the tension gets ratcheted up like crazy. The way that Curran describes what happens after lights out is pretty chilling. And even though it did get a bit repetitive at times, I appreciated how damn creepy it was. 

GRADE: B+

SMALL MERCIES by Dennis Lehane

Set on the eve of the desegregation of Boston's public schools in the 1970's, a woman from Southie, an ex-addict cop, and the Irish mob collide after a young white girl goes missing and a black man is found dead at a train station, setting fire to an already lit match of racial unrest in the city. 

"We're not built for princesses down here."

It feels like it's been a while since I've read a novel by Lehane, one of my favorites. And everything here is all that you expect from a master crime writer. The man has such a strong command of his art form at this point. Not only is this a great time capsule documenting this tense time in Boston (and American) history, but it's also a fantastic portrait of these two lead characters. 

Mary Pat Fennessy is finally confronted with how stuck she and her community have been in their ways, how malignant her environment can be, and how she has to reckon with how this toxicity could have tragically spilled into her daughter. And in contrast, Detective Bobby Coyness has grown up in the same way but somehow managed to keep on the right path, even though it's an everyday struggle to keep his morality and his sobriety. 

He considers the possibility that maybe the opposite of hate is not love. It's hope. Because hate takes years to build, but hope can come sliding around the corner when you're not even looking.

Although this didn't have the raw power like some of his best novels have, this is still a great book, with its focus on the struggle to not allow hatred to be passed down from generation to generation.

GRADE: B+

ALL THE SINNERS BLEED by S. A. Cosby

True madness is like an aura around someone. It glows blue like the flame from a gas fire. That madness can spread. Become like a religion for the lost.

With this new novel, Cosby is 4 for 4. He continues to kick down the doors with guns blazing as he releases banger after banger in the crime fiction genre. 

Being an investigative cop drama, I was a bit worried that it would feel a bit stale as the detective mystery has gotten a little worn out to me. But I should have know better. This feels very fresh as it follows Titus Crown, the first black sheriff of the small Virginia county of Charon, as he not only tries to get a lid on the racial unrest in his town but also hunts a terrifying serial killer on a rampage.

Cosby does everything right here, starting with the portrayal and build-up of the serial killer. The killer and their actions here are seriously bone-chilling and serves to maintain a potent layer of tension throughout the whole book. I was also impressed by how well-developed the community was, and loved how present Titus's deputies were, showing how this investigation is not a one-man show and how much he can't do his job without them. There's a romantic figure from Titus's past that pops up halfway through the book and I was really worried that this would turn into a silly love triangle, but I loved the mature way it was handled, without resorting to soap opera antics. One of the author's strengths is a tendency to never oversell, never hit the reader over the head, but efficiently present just the right amount of emotional development and social commentary to keep the reader truly engaged. He's like a storytelling gymnast, finding the right balance. 

GRADE: A-

GOTHIC by Philip Fracassi

It's been amazing to witness the rise of Fracassi's career as he has steadily planted his flag among the crowd in the literary horror genre. I've been reading his work since I discovered his short stories and novellas early on and he has quickly become a priority author for me. He's recently been on a roll with his novel releases and this one does not disappoint!

The setup is simple, introducing Tyson Park, a washed-up horror novelist with writer's block, who is gifted a new desk that ends up being a bit more than just new furniture. Turns out that the desk is made of material from an ancient occult altar and Tyson begins to succumb to its influence. It's pretty unnerving to witness Tyson's gradual corruption, rotating between seeing it from his POV and the view of others around him. I felt dirty being in his head with his thoughts as they became more and more disturbing until I realized that the person that I was reading about is not the same person I was introduced to earlier. 

There are effective horror sequences in this book as well, right up there with the best of the best. So if you're looking for engaging classic King-style horror storytelling, by an author flexing his powers, check out this great novel.

GRADE: B+

CITY OF DREAMS by Don Winslow

*Book 2 of the City Trilogy*

...because the wounded find the wounded, washed up on the same sad shore.

Picking up immediately after Danny Ryan hightailed it outta Providence after losing his wife and the war with the Italian mob, this second novel in Winslow’s final trilogy finds Danny on the run, and struggling to carve out a safe space for his friends and young son. 

The novel takes on a very different atmosphere than the first, trading New England for the the sunny West Coast, bouncing around San Diego, Las Vegas, and the city of dreams itself, Los Angeles. I love that the book takes a bigger look at and expands on what were minor characters from the first novel as Danny makes this journey with the ragtag crew that he ran from Providence with. It was cool seeing more of Bernie Hughes, Jimmy Mac, Ned Egan, and especially the constantly entertaining Altar Boys: Sean and Kevin. The love story is potent but watching these New England hoods try to navigate the Hollywood world is pure gold!

GRADE: B+

JUDAS GOAT by Greg Gifune

I really need to stop waiting so long between Gifune books! His work scratches a horror itch for me that most writers fail to hit. The books dive to emotional depths that others never dare to, while still providing the terror and thrills. 

This novella feels like an eerie dream from the very first paragraph and it never once lets up on the atmosphere, especially as our main character Lenny gets to the small town where his ex-girlfriend has died and mysteriously left him her house. As he struggles to understand what happened to Sheena, we the reader discover a tragic story of love squandered and two people filled with pain and regret. I almost always leave a Gifune book satisfied and impressed and this is another great one. 

GRADE: A-

FIND HIM by Jake Hinkson

While not the hard-hitting gut-punch noirs that I’ve come to enjoy from the author (like The Posthumous Man, No Tomorrow, or his recent Dry County) this new Hinkson novel is still a solid thriller in the vein of The Big Ugly, and it also might be his most accessible book with arguably his most likable characters. 

The strength here is in how enjoyable it is to follow our protagonist Lily Stevens, a devout and pregnant "one-ness" Pentecostal teenager who bravely steps outside of her sheltered life to go full amateur dick and  track down her missing baby daddy. Even if you can’t relate to her background and religion, it’s hard not to get swept up by her determination and zeal. Allan is also another great character, a kind man with a  fondness for Reba McEntire, and a sense of morality that he can’t shake, no matter how much it might get him in trouble. These two together make for satisfying companions in this read and it's another great entry into Jake Hinkson’s bibliography! 

GRADE: B+

MORE BETTER DEALS by Joe R. Lansdale

Joe Lansdale is one of our best authors and a total genre chameleon. He jumps from genre to genre with no warning and succeeding better than most, whether it’s horror, buddy comedies, westerns, or coming-of-age dramas. And even though he’s a chameleon, he still stands out in each lane because he has a voice all his own. 

Now, he’s back again with a straight noir worthy of the Gold Medal or Black Lizard label. It follows a used car salesman and passing mixed-race, Korean War veteran named Ed Edwards who wants the White American Dream for himself: the dream of owning a business, having a white woman on his arm, and making enough money to send his sister to school. And to get that, he’ll do anything, whether it’s sleep with another man’s bored wife, or plot a murder or three!

This one was extremely enjoyable, and it's Lansdale doing what he does best, plotting a well-paced backwoods noir with enough violence, sex, and betrayal to make Gil Brewer or Charles Williams smile, and doing it with the knack for humor, dialogue, and dramatic irony that we’ve come to love from the author!

GRADE: B+

EVERYBODY KNOWS by Jordan Harper

Give them horror or give them heartstrings. Nothing else sticks.

Jordan Harper is one of the best crime writers today and in his latest novel, he’s tackling the underbelly of the City of Angels. 

Jordan Harper’s Los Angeles is a place of secrets, black bag PR, sponcons, money and celebrity in excess; a world filled with “noise to hide the whispers” and corruption so widespread that it’s a wonder anything ever gets done. You can feel the love/hate relationship with the city here, with a condemnation of the town so scathing that it could only come from when you love a place. 

His two main characters, Mae Pruett and Chris Tamburro, are two people haunted by what they have done for the PR beast and desperate to somehow make things right and regain whatever decency they have left. 

It’s a powerful novel, which is not a surprise given how great Harper’s writing here. It reads like something James Ellroy would write if he stepped into 2022. Harper’s writing even evolves into something akin to the Ellroy, with muscular and punchy prose that hits hard and fast. Harper does an amazing job with character here, navigating the emotion maturely and riding that line of sentimentality perfectly. 

It’s still early in Harper’s career so it’s exciting to imagine what he has in store next. 

“It’s like I’m in this backward purgatory. Like maybe if I commit enough sins, I’ll be able to get free.”

GRADE: A-

THE KING OF SHADOWS by Robert McCammon

Maybe it was bound to happen at some point. Maybe it was too much to hold out hope that McCammon could maintain the high quality that I’ve come to expect from the wonderful Matthew Corbett series, even with it being eight books deep at this point. Well here it is, this book marks the dip in quality. 

I’m not sure why this book was even written. It blows my mind that the author thought that it would be a good idea to have a random side quest for the entirety of the penultimate book in a 9 book series, when the momentum should actually be rising to a climax. But, it’s exactly what happens here, grinding the overall story to a halt while Matthew and his unlikely band of colleagues find themselves stuck on a mysterious Mediterranean island isolated from society. It’s all the small issues I had with The River of Souls but times 100 here. 

But like with River of Souls, I could forgive it if said side story was interesting on its own. But it’s the opposite. It feels lazy and pedestrian and not even remotely interesting, with a strange, half-baked cop out of an answer as to what was happening on the island. It also had side quests within the side quests, as we spend like 200 pages flashing back to the origins characters we don’t really give a shit about. 

So essentially, the book reads like the rejected drafts of about 4 supplemental novellas that take place in the Matthew Corbett universe that were cobbled together in an unsatisfying collection and labeled the 8th book in the main series. A total disappointment. 

GRADE: D 

A KNIGHT OF THE SEVEN KINGDOMS by George R. R. Martin

If you're a Song of Ice and Fire or Game of Thrones fan like myself, then you know what I mean when I say that there really is such a thing as "Westeros-Withdrawal". Westeros-Withdrawal is a serious condition, affecting those of us who were sucked into the World of Ice and Fire, and during the long wait for anything new from the mythology, there's a feeling of malaise and loss that can't really be filled by anything else. Doses of Star Wars lore is enough to provide a little respite, but not enough. I had been trying to hold off on reading this, in an attempt to stretch out my access to new material as much as possible, but my enjoyment of the absolutely fantastic new House of the Dragon show blew all that effort to smithereens. 

Set around 80 years after the events in House of the Dragon, and nearly a century before the events in Game of Thrones, this book is a collection of the trilogy of great novellas focused on the travels of Ser Duncan the Tall, a low-born hedge knight dedicated to maintaining his honor, and his squire, a little bald boy named Egg. Anyone with a deep knowledge of Westerosi history knows that these two characters end up making a big name for themselves in the history of the Seven Kingdoms. And during these tales, we dive deeper into the events that shaped who they turned out to be and illustrates how they unknowingly had a hand in shaping history as we know it. 

The stories here are as good as anything in the main Game of Thrones series, but this time there's a real focus on the street-level happenings, as opposed to the highborn drama in the main series. And that's pretty refreshing. It's a love letter to the small folk and to knighthood, but also serves as a great buddy tale, showing the growing kinship between this simple knight and his special squire. 

GRADE: A-

EXTANT by Michael McBride

I made a two-week trip to Egypt early this year and explored up and down the Nile, growing more and more fascinated with Egyptology and the rich history. And I'm usually pretty engaged with Michael McBride's work, which reads like less wordy Michael Crichton books. I also was looking for something quick and easy to read while I'm in the middle of a big job, so when I discovered this novella, it ticked all the boxes. But, like eating a bag of chips in the middle of the desert, it was a bit of a waste and left me wanting something more satisfying.

An expedition team in the Siwa Oasis searches for the final resting place of the army of Cambyses II that vanished thousands of years ago. When they discover mysterious underground ruins, they also discover that they're being stalked by deadly creatures that have survived millennia. 

I was left pretty dry with this one. It felt like the most generic parts of every creature-feature I've read all thrown into 90 pages. It's nowhere near as entertaining or scary as books like Sunblind or Snowblind. There's nothing actively bad about this book, it's simply just not that memorable and terribly bland. That's it. There's not much else to say.

GRADE: C-

UPGRADE by Blake Crouch

It’s exciting starting another Blake Crouch novel, akin to heading to the theater for the latest summer blockbuster, anticipating the spectacle and excitement. This new novel is set in the near future where genetic engineering has reached a dangerous height and genetic study and practice in general has been deemed illegal. And after a raid gone sour, Genetic Protection agent Logan Ramsay starts to notice that he’s changing…

While the concept is fun and much of the material here is pretty thought-provoking, I couldn’t help but feel that this one fell a bit flat for me. It was thrilling to read how Logan's ability kept evolving and I was constantly pausing to Google genetic science shit and do more research. But I’m used to his novels hitting hard in the emotional feels just as equally as the cerebral ones, and the attempts here at sentiment just didn’t work for me and felt tacked on. The book is still fascinating in concept and has the excitement that I’ve come to expect. In general though, it felt a little “paint-by-numbers.” In other words: “Crouch-lite.”

GRADE: B-

BANG UP by Jeff Strand

I’ve never once thought to myself, “Self, one thing you’re missing from your life is an erotic fiction novel from Jeff Strand.” That thought has never crossed my mind. 

But I can say now, with full confidence, that yes, I did very much need to read erotica by Jeff Strand. 

"Did you bring condoms?"

"Uh, no. Not to a planned murder. That's a whole different level of deviance."

At this point, Strand is a genre unto himself, but there’s no denying that this book is erotic fiction through-and-through (with all of its hot and heavy doses of sex), just with a bit of a twist. 

A jealous husband named Ralph decides to approach a hot stud named Kent at a diner and hire him to have bad sex with his wife Julie so she can be dissuaded from cheating. Kent has the hots for Julie and Julie really wants to get laid, so obviously things don’t go as planned. No one has ever said anything about these characters being smart.

Ralph could handle his wife shouting the wrong name during sex, but not the wrong two names.

What follows is quite possibly one of the funniest books I’ve read, causing numerous moments of out-loud laughter as I marveled at the terrible decisions the characters made and the hilarious dialogue exchanges that Strand conjured up. One of the things that makes Strand’s work so irresistible and fun to read is the feeling that he’s having the time of his life writing this filth. 

GRADE: B+

CITY ON FIRE by Don Winslow

*Book 1 of the City Trilogy*

At this point, it’s safe to predict that any novel by Don Winslow will be one I enjoy! 

This is the start of a new epic crime trilogy by the author and I’m here for it. Inspired by Homer’s classic: The Iliad, Winslow spins a tale of a 1980’s gang war between Irish and Italian families in Providence, Rhode Island and the damage it causes. The book focuses on Danny Ryan, surrogate son of the Murphy family, who’s sense of honor and loyalty keeps him fighting for the Murphy’s even if it’s not in his best interest. The book never hides its influence, featuring a modern Helen of Troy, whose body would launch a thousand beat-downs, a Paris that’s just as useless as one would expect, a Hector that must fight the war his brother started, and even an interesting twist on Achilles. 

As usual with books by Winslow, it’s immensely readable, accessible, and engaging, with compelling writing and clear, relatable characters. But it does fall short of being amazing as it feels like it’s missing something. It feels more like an earlier draft than some of his better novels and is nowhere near as powerful, affecting, or as timely as The Power of the Dog or The Force. If a lesser author’s name was on the book, it would be a very good standout, but it comes off as Winslow-lite, as I’ve now come to expect him to always bring his A+ game. But, it is in no way a bad book. I just hold him to a higher standard now. But I still really enjoyed it and it’s worth a read, especially as the start of a new trilogy. 

GRADE: B+