Showing posts with label matthew scudder series. Show all posts
Showing posts with label matthew scudder series. Show all posts

Wednesday, December 30, 2015

A DANCE AT THE SLAUGHTERHOUSE by Lawrence Block

*Book 9 of the Matthew Scudder series* 
"Sometimes it's a dog-eat-dog world and the rest of the time it's the other way around."
This year I've realized that I'm not that big of a fan of standard detective series. They get too repetitive and frankly boring after a while. It nearly broke my heart when I realized that I was starting to feel the same way about this book in Lawrence Block's Scudder series, arguably the top of the detective pack. As I read, I started to notice the formula and the trends. Once again, Scudder has to explain that he's not an official private detective, once again Scudder "struggles" with what to charge people for his services, even though he always seems to settle on the same price (somewhere between $2-3K), and once again Scudder has a moment where he's unsatisfied with his work and considers giving the client a refund, even though he's never actually gone through with it yet. I guess it's designed for the casual reader that might jump into the series at anytime, but for me it becomes a slog reading the same shit over and over. At least in this book we were spared him having to explain why he's not a cop anymore; I'm a little tired of hearing that story too.

This time around Scudder takes on two cases that somehow end up connected, determining whether or not a TV producer was responsible for the rape and murder of his wife, as well as tracking down the masked sex killers in a grisly smut film he stumbles onto in the middle of watching a VHS rental of The Dirty Dozen. This novel's plot developments were based on so many coincidences that the plotting seemed a bit lazy this time around. But even with these issues that I personally had and the fact that this book lacks the emotional weight of Eight Million Ways to Die, the freshness of When The Sacred Ginmill Closes, or the urgent danger of A Ticket to the Boneyard, it's still as thoughtful, readable, and well-written as any of the other novels in Block's Scudder series, with some cool characters and nasty villains.
"We are closer than close, you and I. We are brothers in blood and semen."
So although it suffers from the usual stale repetitiveness as other later novels in most mystery series, it's still a Block novel so it's still one of the better detective books out there. If you're going to read a repetitive detective series, this should be the one you read.
"Well it's a hell of a story," he said. "And I guess you could say it has a happy ending, because you didn't drink and you aren't going to jail."
GRADE: B-

Friday, June 5, 2015

A TICKET TO THE BONEYARD by Lawrence Block

GRADE: A-

*Book 8 of the Matthew Scudder series*

A Ticket to the Boneyard is a whole new ballgame in the Matt Scudder series. After allowing Matt to confront his alcoholism in Eight Million Ways to Die and focusing on him dealing with sobriety in Out on the Cutting Edge, author Lawrence Block now has a blank slate and the space to really take Matt's story in any direction. But one would think that after your private detective character sobers up, the stories are in real danger of becoming flat and boring. Not so with Block's series! Because Boneyard is probably the most exciting Scudder book to date. Instead of Matt getting hired to solve a random mystery as with the previous novels, Block makes it personal and brings it close to home, while introducing a truly unsettling villain who proves to be a formidable foe for our hero. 

Years back when he was a cop, Matt framed a psycho, woman-hating killer who was raping and terrorizing his special lady-friend Elaine. When James Leo Motley went to prison for 12 years, he vowed to hurt Matt and everyone he loves ("You and all your women Scudder..."). Matt thought it was just the usual empty threat that criminals make while in cuffs. But things prove to be different after Motley is released crazier than ever and begins a mission to hurt any woman close to Scudder. 

This novel proves to be one of the most engaging of the series so far. While not as emotionally heavy as Eight Million, it is well paced, with the suspense quickly building as the threats to Matt's friends become real, and still packs an emotional punch as we see Matt becoming unhinged, making serious mistakes, blaming himself for these events, and getting dangerously close to falling off the wagon. 

Matt's relationship deepens with both Elaine (who's popped up sporadically in previous books), and Mick Ballou (the Irish gangster and butcher that Matt befriended in the last book). The relationships and the personal danger for Matt really make this book shine as Block steps it up another notch in this series. 
Life, I'd heard someone say, is a comedy for those who think and a tragedy for those who feel. It seemed to me that it was both at once, even for those of us who don't do much of either.

Friday, February 6, 2015

OUT ON THE CUTTING EDGE by Lawrence Block


GRADE: B

*Book 7 of the Matthew Scudder series*

It's been a little over three years since the events in the stellar Eight Million Ways To Die, and Matt has successfully been able to stay sober and regularly participate in AA meetings. A man hires him to track down his missing actress daughter and we're off to the races with my next Matthew Scudder read!

The actual mystery storyline of the missing actress is one of the least interesting of all the Scudder books so far, but witnessing Matthew's struggle to maintain sobriety in Manhattan and his experiences in AA is what makes the book really enjoyable. The mystery is second priority. And as usual with the series, the supporting characters in this one are great, from the repentant Eddie (Matt's AA friend) to the enigmatic and dangerous Mick Ballou. A popular staple in hard-boiled detective fiction is for the protagonist to be a hardcore drinker, like it makes them harder or grittier or something. The Scudder series stands out to me because it really shows the negative effects of such drinking in a tender, honest, and heartfelt way. But author Lawrence Block never allows Matt to have a sentimental, self-pitying attitude about the whole thing. He just takes it one day at a time.
"I wanted a drink. There were a hundred reasons why a man will want a drink, but I wanted one now for the most elementary reason of all. I didn't want to feel what I was feeling, and a voice within was telling me that I needed a drink, that I couldn't bear it without it.
But that voice is a liar. You can always bear the pain. It'll hurt, it'll burn like acid in an open wound, but you can stand it. And, as long as you can make yourself go on choosing the pain over the relief, you can keep going."

Saturday, November 8, 2014

WHEN THE SACRED GINMILL CLOSES by Lawrence Block


GRADE: A-

*Book 6 of the Matthew Scudder series*

This is the latest installment in my journey into Lawrence Block's stunning Matthew Scudder crime series. This one comes on the heels of the showstopping Eight Million Ways To Die, and I was wondering if it was possible for this book to be as good. I was pleased to see that it comes pretty damn close! Block keeps it fresh by showing us a different side of Scudder, flashing back to events from Matt's past that occurred even before the first novel. Here, Matt tells the story of when he and his hard-drinking saloon homies got in and out of trouble during a hot, eventful, New York summer in '75.

This book felt totally different from all the others. Matt seems less of a loner here and more connected with his buddies. I felt like he was also a lot less interested in his cases, more aloof, which is understandable as I was reading about a slightly younger Scudder than I was used to. Even the writing itself fits into this tone. This one is very nostalgic as well; it's a love letter to a throwback New York City that doesn't exist anymore, and to a simpler, more innocent time for Matt (who at this point hasn't even begun to consider himself an alcoholic). This book also has a first-rate, bittersweet ending where, like most of the great crime novels, the mystery is solved not in the way you expected or even wanted, but in a way that is undeniably satisfying. This ending took my expected four star rating and turned it into a solid five.

Sunday, September 14, 2014

EIGHT MILLION WAYS TO DIE by Lawrence Block


GRADE: A-

*Book 5 of the Matthew Scudder series*

That's it. If I never read another Lawrence Block novel (I shudder at the thought), this book on it's own solidifies in my mind that Block is one of the best crime novelists out there.  But this is so much more than just a "detective novel." It's a vividly written character study of the struggle to overcome alcoholism. 

In this, the fifth book in the famed Matthew Scudder series, Matt gets hired by a beautiful hooker to convince her pimp to let her get out of the life. It eventually turns into a murder investigation. But the mystery is almost completely secondary. Since the start of the series, Matt has had a steady downward arc in regards to his drinking. In the beginning he was comfortably in denial, confident in his control. But it's gotten worse with each book. And now, even though he tries to attend AA meetings, he has hit bottom. Terrified at what he's failed to see in himself and determined to stay sober, he ends up throwing his all into searching for a killer, dedicating himself to the case more than ever before. Not necessarily to do the right thing, but because it gives him something to take his mind off of his liquor jones. You get the sense that the case is the only thing that saving him from falling off the wagon again.

The personal struggle is what puts this high above the previous Scudder books (which were all good). There's just more at stake for Matthew. Block's great writing really shines when describing Matt's struggle: detailing the denial of his lack of control, the bargaining that he goes through with himself about why he should take a sip, his feelings about the AA meetings, and his realization of how serious the problem has actually become. Matt sees liquor everywhere; temptation follows him around every corner of the investigation.

And Matt isn't the only well-drawn character. I really enjoyed reading about Jan, Matt's love interest and the person who (in the previous novel) opened his eyes to his alcoholism and the solutions, as well as Chance, the level-headed pimp that totally bucks the stereotype. I enjoyed so much of this book and it's the best installment so far in a series that will hopefully only get better.



Thursday, July 31, 2014

A STAB IN THE DARK by Lawrence Block



GRADE: B+

*Book 4 of the Matthew Scudder series*

It's going to get harder and harder writing fresh reviews for these Lawrence Block novels. Once again he has written a solid piece of detective mystery fiction in this latest installment in his Matthew Scudder series, about an ex-cop who lives a lonely life in a hotel room in Manhattan and does "favors" for people as an unlicensed private investigator. In this novel, Scudder takes on a nine-year old cold case after a serial killer is finally caught, and confesses to all of his suspected killings except for one. Now that dead girl's father can't rest until he finds out the truth behind her murder, which is now nearly a decade old. 

I'm four novels into the Scudder series and I've yet to be disappointed. It has another compelling mystery, layers of Matt's character continues to be laid, and the writing continues to be solid. It's impressive how consistent Block has been so far. I love how throughout the series you start to slowly realize, along with Matthew himself, how serious his drinking problem really is, although he continues to deny it. If this series gets even better than this, Lawrence Block might become one of my favorites!

Thursday, May 8, 2014

IN THE MIDST OF DEATH by Lawrence Block


GRADE: B+

*Book 3 of the Matthew Scudder Series*

This book was just as enjoyable as the previous two in the series. It's refreshing how consistently solid these books have been so far. Probably the biggest reason for this is how vivid both the cast of characters and the dialogue scenes feel in Block's novels. Everything just rings true. His scenes are entertaining with cool dialogue, but the "coolness" never feels forced. There is an ease to Block's writing that I really enjoy to revisit every time I pick up one of the Scudder novels!


Wednesday, May 7, 2014

TIME TO MURDER AND CREATE by Lawrence Block


GRADE: B+

*Book 2 of the Matthew Scudder Series*

Another solid Matthew Scudder novel (the second in the series), once again filled with great dialogue and strong characters. This time, Matt is commissioned by a small-time hustler to posthumously solve his murder in the event of his demise. And because Matt is a man of his word, he sets out to do exactly that. 



THE SINS OF THE FATHERS by Lawrence Block


GRADE: B

*Book 1 of the Matthew Scudder Series*

Solid start to what I've heard is a good series! I've been planning on reading the Matthew Scudder books for years and now I've started. Matthew Scudder is an ex-New York City cop who quit the force after accidentally killing a young girl in a shootout. It shatters his marriage and relationship with his sons, and he moves into a Manhattan hotel room, where he makes money by doing "favors" for people who need the help of someone with some investigative skills. Matt has those in spades. In this novel (the first of the series), Matt is hired by a man who wants to reopen the closed case of the grisly murder of his daughter, and learn the truth.

Matthew seems like a great character and I'm anxious to learn more about him. In detective and crime novels, I'm less interested in the actual mystery and more interested in how the mystery affects the character, the world around him/her, and vice versa. The strongest aspects of this book are the richness of the characters and the ease of their dialogue. There's not a lot of delving deep into the character of Scudder, but it's definitely a good tease. Can't wait to learn more in subsequent books. 

This book reminds me a lot of George Pelecanos's work! I wouldn't be surprised if Pelecanos was highly influenced by Block. There's a poetic simplicity and a love of the people that I found in this book that I saw many times in Pelecanos's writing.