CARDINAL BLACK by Robert McCammon

*Book 7 of the Matthew Corbett series*

It's always a grand adventure when I jump into a new Matthew Corbett book! I've always called these books the most consistently enjoyable series out there, and this 7th book doesn't break that trend. This picks up right after the end of Freedom of the Mask and Matthew is now forced to work for his arch-enemy Professor Fell and track down a valuable book of potions stolen by the even more evil Cardinal Black in order to find an antidote to cure Matthew's poisoned paramour Berry Grigsby.

I'm constantly blown away by how refreshingly modern these books feel, given the fact that they take place during the very formal times of the early 18th century. If you've heard about these books and think that they sound like they would be slow and boring, you couldn't be anymore wrong. This book finds Matthew and his murderous traveling partner Julian Devane running headfirst into a dangerously high-stakes undercover operation and they manage to put themselves squarely in the sights of Europe's entire criminal underground.

I'm always worried that McCammon's long-windedness would ruin things for me, but again, there's so much awesome that it's easily ignored. McCammon's big strength, what makes his books so enjoyable, is his uncanny talent with characters. All the supporting cast is instantly memorable, from Julian Devane, to Samson Lash, to RakeHell Lizzie, to Miles Merda, and definitely the creepy Satan-worshipping Cardinal Black. And Matthew himself continues to be one of fiction's best heroes, and this time he faces his biggest moral challenges, as he tries desperately to cling to his honor, even at the cost of survival.

Once again, I would recommend these books to anyone, but especially if you've enjoyed the other novels. As usual, this book ends on a great cliffhanger that sets up the next historical adventure. So now begins the long wait until the next installment.

GRADE: A-

BAY'S END by Edward Lorn

Bay's End falls right in line with many other great coming-of-age novels that I've read, like IT, The Body, The Accidental Siren, and Boy's Life, where we witness a boy forced to grow up fast during the most important summer of his life. The boy in question here is Trey Franklin, who, later in life, is trying to exorcise his demons by recalling the summer as a kid when he met his best friend, fell in love, and lit a cherry bomb in a policeman's car, setting off a deadly chain reaction in the small town of Bay's End.

This was Lorn's debut novel and it's an impressive one. It moves at a good pace, the characters jump right off the page, and the prose is tight. And I love how the author takes his time to lull you into the comfortable setting of the story, bathing you in the innocent freedom of adolescence, so that when the dark shit hits the fan, it's surprisingly brutal and wicked. This definitely isn't for the faint of heart or for people not willing to explore humanity's pitch black dark side, especially in the type of people you encounter everyday. Every piece of work I've read from Edward Lorn has been worth it and he is proving to be pretty dependable. I'll pick up any of his work that's released. 

GRADE: A-

THE BORDER by Don Winslow

*Book 3 of The Cartel Trilogy*

This was one of the most epic reading experiences I've had in a very long time. This is the massive conclusion to Don Winslow's Cartel Trilogy, THE definitive piece of fiction that focuses on the War on Drugs. Throughout these three big books, Winslow leaves no stone unturned in this subject and passionately challenges what you know about the Border Crisis and the American/Mexican Drug War. But even more importantly, he tells the great story of the tumultuous, decades-long personal war between DEA agent Art Keller and Sinaloa Cartel patrón Adan Barrera.

After the big turning point in the finale of the previous book, The Cartel, Art Keller is now the head of the DEA and is trying to fight the Drug War from the very top levels of government.  But at the same time, a new breed of cartel leaders are threatening a new level of violence in Mexico.

With this book, Winslow expands his focus ten-fold, the same way The Wire did with each of it's episodes, and begins to focus on every conceivable corner of the Drug War and all its players: from the cartel leaders, to a NYPD undercover officer, an aging hitman who comes out of hiding, a 10-year-old Guatemalan illegal immigrant, a tormented young Staten Island junkie, and finally a reality-show host and real estate mogul running for president with a love of Twitter and a desire to build a bigger wall along the Mexican border. This large cast of characters shows how far reaching this war is and helps give the story it's epic scope. Winslow also brings back storylines from the previous novels and brings it all to a satisfying end.

There's no other writer quite like Don Winslow. This book shouldn't have worked for me. It's filled with documentary-style focus on detail and sometimes feels like a political essay. But it's so goddammned entertaining that it never bothered me. His writing is so readable that I could've kept reading happily for 500 more pages. I don't want to talk too much about the story but there are so many exciting moments, and even one moment that made me actually shout and clap, and then stop in embarrassment because I shouldn't be cheering at an inanimate object.

The book isn't the most subtle, with it's blatant and inelegant, but spot-on Trump avatar character and a final speech that's basically Winslow's Drug War dissertation, but I had such a great time reading this and was so engaged by the riveting, horrifying, sometimes amusing, and always important story that I can't give it anything but an A-grade. This was fantastic and exhilarating and would recommend it to anyone who's enjoyed the previous books, except maybe sensitive Trump fans.

GRADE: A

THE BROKER OF NIGHTMARES by Jon Padgett

I've been hungry for anything by this author since being blown away by The Secret of Ventriloquism, one of the best works of horror I've read in years. So when I saw that he had a small chapbook novella coming out I jumped right on it! It doesn't disappoint as the story, about a doctor who trades painkillers for vivid dreams, has a similarly unsettling vibe as his previous work.

The atmosphere is due to Padgett's evocative language and the detail of the creepy nightmares explored here. It's so impressive how reading this book actually feels like walking around in a dream. It's a story about addiction and the dark side of imagination, and another stand-out work of horror by Jon Padgett.

GRADE: A-

SHORT RIDE TO NOWHERE by Tom Piccirilli

High on my list of favorite authors, Tom Piccirilli has been known to have written some dark shit. This novel is no different as it's one of those downer noirs that we wrote in the last half of his career. It's narrated by Jenks, a man who's lost everything in the recession, now homeless on the streets of Manhattan, and now searching for answers in the wake of his old friend Hale's violent death, a man who shared the same economic fate.

The worst thing about having a wife and kids and dog was trying to keep it all. Once it was gone, Jenks had to admit, so was the pressure of fighting for it. You were never so free.

Prepare yourself for a dreary and gut-wrenching odyssey through the grimy streets of New York, from homeless shelters to hooker alleys, as Jenks not only trolls for answers but seems like he's aching for to vent his frustrations through violence. In an interesting look at how destruction can not only be contagious but possibly destined, we watch as Jenks flirts with bloodshed everywhere he goes. No one does true modern noir quite like Piccirilli.

He would listen to the sound of the blade opening and shutting, the way he was listening to it now, and he would discover in that last moment what the next page in the great book of life, written in God's own hand, would have to say about his sins.

GRADE: A-

A FRIEND IS A GIFT YOU GIVE YOURSELF by William Boyle

William Boyle's latest book might also be his most accessible, with a tone that's pretty different from his two previous novels. While it's set mostly in the same outskirts of Brooklyn where the other books take place and it's just as offbeat, this one is filled to the gills with quirk, witty comedy, and hope; a bit of a departure from the earlier crime downers and melancholy character pieces. It tells the story of a mob widow, an ex-pornstar, a precocious teen girl, a mid-level gangster, and an 80-year-old Viagra-popping pervert, bouncing off each other as they flee the wrath of a psycho hitman armed with a sledgehammer.

It's fun, suspenseful, and delightfully oddball, What few action scenes there are never go quite the way you expect. The chapter in the first third where all of our characters collide in the Bronx is one of the best chapters of any book I've read in a long while! It's well-written with absorbing characters, but Boyle does show a constant issue with narrative momentum as he's always interrupting the flow of the story at the worst moments just for the characters to reminisce. It always helped to learn more about these characters ut I wish it was done with a bit more finesse. But I had a great time reading this one. It's a tale of how friendship can be found in the most unlikely places, and how all you need is the right people around you in order to discover who you really are.

*Advanced Copy provided through Netgalley for an honest review*

GRADE: B+

STUMPTOWN VOL. 1 by Greg Rucka

Greg Rucka crafts a really commendable hard-boiled mystery that checks off all of the right boxes. It's got twists, turns, reveals, fist-fights, a missing girl, good dialogue, and most importantly, a memorable protagonist. That detective here is Dexedrine "Dex" Parios, a private dick with a gambling problem, who agrees to find the missing daughter of the local casino owner in order to get out of mounting craps debt. Thus begins "The Case of the Girl who Took Her Shampoo But Left Her Mini."

Rucka is well-known for creating memorable female characters, and Dex is definitely someone that I would rush out to read more about. She's smart and tough but she's constantly unlucky and prone making bad decisions, and is always getting her ass beat down for some reason or another. And with her, there's no need for much backstory. We learn all we need to know from her determination to find answers, her bravery in the face of danger, the way she interacts with her brother Ansel with Down Syndrome or the way that she interacts with the police chief she had an affair with. Rucka shows how much info you can get across with a few well-placed bits of dialogue. And Matthew Southworth's art could've been a little more refined but definitely fits. This was a good one, buying the next!

GRADE: A-

COLD DEAD HANDS by Jeff Strand

This won't be forever changing lives through it's poetic and artistic examinations of character and theme, but it will prove to be a gripping, quick, bloody read one night before bed!

I always say this, but Jeff Strand is like his own genre and his books have a feeling of their own. This story is FAR from being a comedy but not many people can infuse levity into such a dark story but still maintain the dread the way Strand can. The ending is a bit underwhelming but the rest of it moves at a great pace and will definitely keep your attention.

GRADE: B

BLACK SCIENCE PREMIERE VOL. 1: TRANSCENDENTALISM by Rick Remender

A big advantage that second books have in a series is the fact that they don't have the burden of exposition holding them back. And that's definitely the case here. So we're free to ride the fast-paced tidal wave of action from the very beginning of this book. And I'm glad because it gets pretty crazy, let me tell you! After the cliffhanger of the first premiere edition, I was eager to where our characters end up and where it all goes from here, and I was not disappointed. More imaginative sci-fi thrills, jaw-dropping twists and turns, family drama, and shifting character dynamics makes this yet another great Black Science read.

GRADE: A-

A SCHOLAR OF PAIN by Grant Jerkins

Let's get this out of the way. If you're on the search for a book with likable characters that will make you smile and strengthen you outlook on humanity, don't even look in this direction. There's nothing for you here. But if, like me, you're a weirdo fascinated by the darker side of humanity and shifty morality, then step right up.

What you'll find here is one of the best story collections I've read in years and marks the first time I've read anything by Grant Jerkins. The stories mostly focus on societal deviants of questionable ethics, stalkers, religious fanatics, child molesters, sizzurp addicts, and up-skirt peepers. It even takes leaps into the cosmic and metaphysical in ways that I won't spoil here.

Most of these characters aren't in denial of who they are and it leads to a bold and unwavering look at things that aren't all that comfortable to explore.

"I had a bowel movement in your commode. And I did something to your toothbrush so that you will have molecules of me inside of you too."

And Perkins is an exciting writer, tackling all of the subjects fearlessly and with sly, smirking prose that's exciting to read and darkly comic. But I'm not sure if I should even call this collection dark comedy. Because while it's too odd and outlandish to be grim, sometimes it's too painfully accurate and on the mark to be funny. What it is though is a stellar collection of stories the like of which you won't find anywhere else. Read this now. And then get ready to want to read more Grant Jerkins.

GRADE: A